My Chemical Romance ''Three Cheers for Sweet Revenge'' (2004)

My Chemical Romance is one of those bands you listen as a teen, cringe at after a year and then come back to later on to wallow in it's nostalgia and find a new appreciation for it's edgy lyrics and emo/screamo influences. Although this album is MCR's second release they ditched a large part of the screamo that made up their debut album ''I Brought You My Bullets, You Brought Me Your Love''. 

With 12 songs, and interlude and 39 minutes of listening time this album is jampacked with incredible songs, personal favourites would be ''Helena", the first track on this record, it immediately sets the mood with dark tones and mystifying vibes. ''Give 'Em Hell, Kid'', which utilises this band's incredible instrumentals and Gerard Way's paralyzing vocals. And many other songs that I love, but the truth is, not a single one of these songs is lacklustre, all of them have their unique quirks and tones. Alt Rock, Emo, Post Hardcore and Punk Rock are all ways to describe this album and band but none of that quite does their revolutionary sound justice, thriving off of gnarly riffs and almost scary screams is something they excelled at, cementing their sound and the genre of emo. 

Shout along choruses, machine gun fast drumming, horror themes,  guitar with huge Metal influences, complex song structures and a generally raw feel created the incredible sound that is this My Chemical romance, even in songs that feel lighter like ''The Jetset Life Is Gonna Kill You'' we don't get given peace, we are still bombarded with catchy hooks and Metal tinged riffs, in a good way of course.

An album like this has so much you can say about it but I do not know enough about this record or it's history to write it all down for you, all I can say is that this 12 song masterpiece is a must listen to anyone

9/10

 grandson ''A Modern Tragedy Vol. 1'' (2018)

Since I've been getting into the groove of writing these album reviews it's about time to tackle one of my all time favourite artists, grandson. I discovered this EP not too long after it's release and since then I must've played it hundreds of times. With startling aggression and frustration pointed at the continuous recklessness and corruption in the many systems that guide how society in America works grandson delivers some shocking and electrifying lines. This EP was grandsons first uniform experience with writing music, he's brought out multiple singles in the form of Bills, Bury Me Face Down, Kiss Bang.. Etc. 

Ditching some but not all of the powerful Alt Rock sound he's created in the singles before the release of A Modern Tragedy Vol. 1 grandson embraces some Trap music, something I haven't been super fond of, grandson does it just right though. Shill cries, wondrous attitude, dark metaphors and massive hooks combined with unique drops, grandson and his guitarist and drummer do it all. grandson is one of those artists who isn't afraid to talk and sing about all the horrifying reality going on in the world which is something I adore, with tracks like Blood // Water which talk about all the political corruption in America, or Stick Up which screams at the gun violence going on. Despicable is a track which grandson himself has described as ''a ballad of self loathing'', a daunting track with gentle guitar crashing into a huge drop later on in the song, again utilising grandsons vocal chords. 6:00 a haunting track with explosive guitar taking the front spot, heavy riffs droning on as grandson tears himself up over police brutality, a song released in 2018 mainly focused around unjust killing of civilians. And last but not least we have Overdose, a track that ties the entire EP together with grandsons ghastly vibe, powerful messages and drops like dynamite. 

This Ep is a perfect showing of what grandson is about, from singing and making music about what needs to be said to a lot of personal frustration making this sound possible, grandson really knows how to capture a vibe. The aggression is something that fascinated me a lot when listening to this the first time, it told me to be weary, that this isn't just music created to become mainstream, it's reality. All in all this first EP was a great opening to show everyone what's to come in the future.

9/10

 PUP ''Morbid Stuff'' (2019)

Pup is a band I've found about a year ago now, with their explosive sound, earnest screams, and lyrics I could do nothing but love them, with their objectively amazing debut album ''PUP'' and the slightly more experimental and lacklustre ''The Dream Is Over'' I was interested what the next album would hold for me but I was pleasantly surprised to hear more of the same quirks that this band made their own. With heavy and angsty themes such as anxiety, depression and death and the Punk Rock sound this record holds was driven home further.

Utilising songs like ''Closure'' and ''See You At Your Funeral'' PUP addresses that having things left unsaid and that unhappy endings are always an inevitable part of life, along with other valuable life lessons, something the band felt necessary to do seeing they've gone through a few changes since their first album, mainly in numbers. 

With this record PUP refuses to be held back by the Pop Punk label often held against them, embracing pop-tinged melodies on ''See You At Your Funeral'' or going for the whole campfire sing-alongs on the start of ''Scorpion Hill'' and let's not forget to mention the incredible ''Full Blown Meltdown'' which tip toes the lines of Metal with their sludgy, heavy guitar and drums, this record does it all without shame. That's one of the many things to love about this album, frontman Stefan Babcock wasn't afraid to write about his struggle with mental health. Depression and anxiety isn't something to glorify and PUP talks about it the way they do best, through dark tones and tunes that go straight for the jugular.

The guitars are something to embrace from this 4 man band, even if lyrics get a little dull the guitar stays energetic and interesting throughout. PUP has had a knack for memorable riffs and small licks since their debut, on this record they've done it tighter, darker and better resulting in the catchy song ''Kids'' or like mentioned above the sludgy and heavy ''Full Blown Meltdown'', one of my personal favourites on this album. ''City'' also has a different tone for the majority of the song, slow drums and playful guitar strums over sad vocal tones only for the song to start building up around the 2 minute mark and crash into spastic breakdowns near the end. 

8/10